Adam Christopher
  • Rad Bradbury: Empire State
  • February15th

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    One hundred and six days and 100,615 words after I started, the first draft of Empire State is finished. True, there were some wobbles along the way. True, it needs a fair amount of work at the second draft. But for now, it’s done. I’ve written three full-length novels.

    Empire State began it in November 2009, with the intention of getting half the book done as part of NaNoWriMo. That didn’t happen. Nor did I meet my first self-imposed deadline of December 31st. Or the second deadline of January 31st. Or the third deadline of my birthday, February 2nd. But hey, that’s life, right? My average daily wordcount over the writing period is a quite shockingly low 949 words – way, way off my target of 2,740 per day for 2010. But as I’ve mentioned before, some odd things happened between November and now. Suffice to say my output is much higher now – in fact, on Sunday, the day I actually finished Empire State, I clocked up 5,379 words. It’s amazing what a little motivation – like seeing the light at the end of the tunnel – can do.

    Now what? Well, Empire State joins Dark Heart and Seven Wonders in a dark drawer. I’ve got a Big Fat Plan for this year, which involves taking one of these titles – along with book four – and working it up into a proper second draft fit for my beta-readers. I have a feeling it will be Empire State, although Seven Wonders might give it a run for its money.

    But having written three books, I’ve noticed a change which is both logical and obvious when looked at from the outside, but which was still noticeable and even surprising as I experienced it from the writer’s point of view.

    Empire State is a much better book than Seven Wonders. And Seven Wonders is a much better book than Dark Heart. Not just in style and technique, but in depth of story, character and theme as well.

    Or, to put it another way, I’ve got better.

    Okay, that should be obvious, right? As I write more and more, I learn more and more, and I get better and better. It’s like anything, be it starting a sport or learning a musical instrument, the more you practice, the better you get. I had a couple of odd conversations about this recently with people who expressed not only surprise but mild shock and disgust when I suggested that to be a good writer you had to bust your ass. Huh. Some people think writing is easy. Suffice to say, these people are not writers. Kevin J. Anderson had something to say about this the other day. Personally, I’d listen to him. He’s written more than 100 novels. The swine.

    Having realised that I’ve improved, and having actually recognised the change in my writing since I began with Dark Heart a few years ago, it gives rise to a slightly odd feeling about book four.

    Ludmila, My Love is a science fiction ghost story, but unlike the previous three novels, what came to me first was not an idea or a plot, but a theme. Having always associated theme with Proper Writing, I was quite chuffed to be able to think of Ludmila in these terms even before I had the plot nailed down. In fact, I’m still outlining now, and I don’t expect to start actually writing the thing for another week. But this is good, because along with the satisfaction of finishing Empire State came a mild depression – having lived with the characters of one book for so long, it’s always sad to leave them behind. However, in this case the sadness was short lived as it was quickly overcome with excitement for the next project.

    So, a week of outlining, then two months of writing. I’ve got a good feeling about this one. Wish me luck!

  • February12th

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    The end of book ‘fidget’

    Turns out that I’m not alone when I say I’ve got the “end of book fidget”. It’s that feeling you get when you’re within sight of the end, with a big climax to write, but your brain is on the next book.

    The next book is new, fresh, and exciting. It has a killer title. The plot is out of this world. This is the book you’ll be known for. You want to start writing it now.

    The old book is old, dull, stale. You know the story and the character inside out, you can’t wait for the hero to save the day so everyone can go home. You know the book needs a gosh-darned thrashing at the second draft to solve a couple of plot problems and iron out some character kinks. You’ve been living with this book for a couple of months, or more. You’re tired.

    One of the fascinating things I’ve discovered about writing is that a writer will think that their experience is unique, that the thoughts they have and the emotion changes they go through during the course of writing are brand new, and (usually) completely wrong. The universe is trying to tell you that you aren’t a writer and you shouldn’t be trying. Your story is lame, the characters weak and two-dimensional. The plot is terrible, the prose itself is the most god-awful tripe ever put to paper. If you could just stop right now and try the next book, everything would turn out fine and writing would be less like sweating bullets.

    Except Neil Gaiman gets this feeling. He said so. Michael Stackpole gets this feeling. He said so too. Most writers do, from late night amateurs honing their craft to seasoned pros with lengthy bestseller back catalogues. And then when one writer talks to another writer to tell them about the terrible time they’re having, they’re shocked to discover that the other guy feels exactly the same way.

    Okay, I exaggerate. Writing is fun, and it can be easy, and it’s something I have to do. It’s not continual torture, and more often than not, the plot and characterisation work just fine. If they didn’t, I’d be in trouble.

    But there are moments like the above, scattered all throughout the writing process. And at this point, as Empire State hits 95,000 out of a projected 100,000, I get the end of book fidget. And despite me knowing all the above about how every writer goes through the same thing at key points, I was still surprised to discover writer friends who knew exactly what I was talking about, or who were stuck in the exact same situation as me.

    Fortunately, the solution is pretty easy. Ignore the fidget, sit down and finish the book. I suspect there are an awful lot of almost-finished novels in the world because the writer hasn’t realised that the end of book fidget is just a normal part of the process. And there are an awful lot of half-finished and quarter-finished novels in the world because the writer has succumbed to one of those other feelings of inadequacy at some point.

    You gotta keep on truckin’! Empire State will be done in a few days. Then Ludmila, My Love, can take centre stage.

    The iPad

    It’s been three weeks now since Apple introduced the iPad. The interweb is full of speculation and opinion, so I’ll leave you to Google for it if you haven’t been keeping track of the commentary. My last post, which was far, far too long ago, talked about the things I wanted from the device. Did it deliver? Yes, on every count – function, portability, and importantly, price. UK pricing has not been announced yet, but Macworld have done a pretty good estimate. Even the most expensive model, the 64GB 3G version, only comes in at a hair under £700. For me, that’s worth every penny for a good-sized, capable internet device and e-reader.

  • January8th

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    Week one of the new decade draws to a close (no, I’m not getting into an argument about whether the decade starts in 2010 or 2011. Get. Over. It), and after a bit of heaving and swearing (lots of swearing), I’m finally dragging Empire State back on track. After about two months in the doldrums, it’s a bit like that old metaphor of turning a cruise liner around. It takes a bit of coaxing, and it’s not a fast process. Anyway, one million words, here I come.

    Meanwhile, Cherie Priest, the author what wrote that damned fine book Boneshaker that I harped on about earlier, seemed pretty pleased that she rubbed shoulders with Stephen King on the pages of this blog. Thanks for the link, Cherie!

    And this I dig, a lot. Reader ediFanoB, whom I randomly bumped into on Twitter due to our shared love of steampunk, has a few words to say about my novella, The Devil in Chains, on his website. Now, The Devil in Chains isn’t a new release, and one of great mysteries of the publishing world is how books are all hot news on the week of release, then everyone forgets about them. I mean, Coke advertise several times a day on TV, and you can go to the store and buy a can. But I can also go to my local bookstore and buy, say, Salem’s Lot, but you don’t see Salem’s Lot advertised anywhere. Although writing is an art and a craft, publishing is about building name and brand. With that in mind, I’m pretty chuffed that ediFanoB enjoyed The Devil in Chains enough to not only blog about it, but demand I get on with the rest of the series and get Dark Heart (the first novel in the series, for which The Devil in Chains is a stand-alone prequel) edited and, heck, published even!

    Well, that’s why I do it. I write stuff that I hope people enjoy. And if they do, that’s my job done. Thanks, edi!

  • December31st

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    Two down, seven to go. Tonight it’s just one, and it’s the big one.

    Writing

    I don’t have a competition running against Jennifer Williams, but we do egg each other on a bit. In 2009, she wrote 120,000 words, and if her novels (one completed, two in progress) are anything like her short stories, she’s going to snap up an agent and deal in next to no time. At which point I will be very jealous, and may have to take up some form of Black Magic to make her laptop battery die at inopportune moments. Jen has christened 2010 the “Year of Writing Dangerously”. I like it.

    For me, 2009 has been the “Year of Writing Seriously”. It started with me completing my first full-length novel, Dark Heart. I had started this in 2008, or even earlier, but after a year of faffing had reached 30,000 words or so. In 2009, I Took It Seriously, and churned out the next 70,000 words in just two months. Taking It Seriously seemed to work. Dark Heart (first draft) came in at 118,743 words. I even got the manuscript printed up as a trade paperback via Lulu, providing myself with a bound, portable manuscript that I could edit wherever and whenever I wanted.

    Taking It Seriously worked so well that I applied the same general technique (sitting down and writing) to my second novel, Seven Wonders (originally called New Gods, but so harassed was I by Jack Kirby fans – and rightly so, and myself included actually – that I changed it). I didn’t keep a track of time on Seven Wonders, but the first draft of this, my second novel, was done at the end of August and came in at 111,073 words.

    I took a break after that, and started to edit Dark Heart, but after hacking at the first third of the book I realised it was still too soon. The text was too fresh, and I remembered nearly every comma, which made it hard to judge whether something – a scene, a chapter, a character, a plot point – was actually working. So I shelved that Lulu paperback and moved on to book three.

    Book three is my current work-in-progress, Empire State. I was going to write the second in the Dark Heart steampunk series (I have books two through five plotted), but I felt I needed to stretch my writing muscles and write in different styles and genres. And if I spent another three months writing book two, only to never be able to sell book one, I’d kinda be stuck. It wouldn’t have been a waste of time, far from it, but as a new writer it made more sense to have written three books and be able to pitch each of them, rather than having written three books and be able to pitch only two of them.

    Empire State, then, is a SF detective noir fantasy thing. Hmm, I think I need to work on the elevator pitch… the draft stalled in November/December for a variety of reasons that I have posted about before, but the file will be cracked open tomorrow as part of my New Year’s Resolution. Empire State stands at 35,387 words. The target is, again, 100,000 words, which leaves me about 65,000 to go. It started as a NaNoWriMo project, but November is where it all went wrong, so I didn’t even crack the required 50,000 words that month. Eh. What can you do?

    Aside from these three full-length novels, I wrote a short story – The Unpopular Opinion of Reverend Tobias Thackery. This Lovecraftian horror was written in June 2009, and is 7,143 words long. It was rejected by Weird Tales, and is currently with another publisher, but if there is no luck there I’ll put it up here for free, and also as another Legends iTunes eBook alongside The Devil in Chains. Short stories are not my thing – I find them too hard to write and I rarely read them either.

    That’s my writing for 2009. A total of 272,346 words written. Two complete novels and one complete short story written, and one novel at the 33% mark. The Year of Taking It Seriously seemed to have paid off.

    For 2010, I have just one New Year’s Resolution (I’m not sure if that is supposed to be capitalised or not… I’m assuming it should, because that makes it Important, and Important is a Good Thing). If 2009 is my Year of Taking It Seriously, 2010 is my Year of Taking It Professionally. Okay, that grammar isn’t the best, but in 2010 I will have more time to devote to writing, which means I can think and act like a Writer.

    My goal therefore is 1 million words in 2010. I think I got the idea from something Scott Sigler said, that he was going to write 1,000,000 words in 2009. I’m not sure whether he hit it or not, but Stephen King also said that you need to write 1 million words before you get to the good stuff. He might be right, and it looks like I’m 25% of the way there already. One million words is 2,740 words for each and every day, which is actually quite achievable considering on a good day I can get to 5,000 words at a push. So those one million words will be, more or less, the last two-thirds of Empire State, plus seven more novels, plus revisions on two novels.

    That’s the plan anyway. And it all starts tomorrow. All I need is my ass, a chair, and my computer. And tea. Lots of tea.

    More of my awesome and radical things of 2009 tomorrow. Happy New Year everyone! See you in the Amazingly Utterly Awesome 2010. See, capital letters, 2010 is Important.

  • December21st

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    After a horrible November, during which I only wrote for half of the month, I had three weeks off in December. What bliss! A full-time writing schedule interrupted only by brisk winter walks out to get coffee. Sheer heaven.

    Well, two and a half weeks. First I needed to rescue our large bookcases from damp, and strip and repaint a wall. But it was nice and relaxing and quite therapeutic after the hellish November, and I continued to work on Empire State in my head at least. The book would be finished by the end of the year.

    And then… I got sick. Really sick. Actually the wife got it first, and I was knocked out a couple of days later. It was the flu, right and proper, and resulted in 1.5 weeks in bed and another week walking around feeling awful. I still feel sick now, and still have a cough that feels like I’m being stabbed in the stomach.

    The result? The blog didn’t get updated much. I did some writing – about 3000 words all up – before the computer screen began swimming in front of my eyes.

    It really brought home the saying about “the best laid plans”. I was aiming for something like 5000 words a day, but my tracking spreadsheet has a huge column of zeros entered into it. It’s disheartening and disappointing, and it makes it more difficult to get back into it because once you get out of the habit, you really need to work to get back into it.

    But this is Christmas week. I’m up and about, and we’ve had the heaviest snowfall in the three years we’ve been living in the UK. If you’re from a place where it doesn’t snow, like I am, this is AWESOME and RADICAL, and it makes me feel better.

    So between the coughing and spluttering and eating M&S mince pies (which are as awesome and radical as the snow), the writing will start up this week I think, along with blog updates. There’s no point at all in rushing Empire State, so my self-imposed deadline for completion has been extended into mid-January. More on my 2010 goals next time!

    Merry Christmas!

  • December5th

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    NaNoWriMo is over. In fact, it’s been over nearly a week. A lot of people wrote a lot of words. A few people wrote too many (I read reports of 35,000 words a day, or 1,050,000 words in a month), and the scary thing is that some of those people were telling the truth. I can’t imagine what the prose is like but I’d go with something in the region of “unreadable”. But that’s none of my business. A few friends of mine hit the 50,000 mark, and my hat’s off to them. The good news is that they’re still going strong and heading to the real finish at 80-100k.

    I didn’t make it. I lost NaNoWriMo. Not that it’s a competition, not that I was out to achieve anything other than writing 50,000 in 30 days. But Empire State stalled at 32,000 about halfway through November. It was going well too – I was ahead of schedule and averaging 2000 words a day. All well and good.

    Until… well, like many writers, both published and unpublished and best-selling and unsuccessful, I have to keep a “day gig” to pay for bills, food, rent, heating, power, petrol, etc, all the things that allow me to work on my fiction. My fiction is what I consider my job. That is what I do. The day gig is an inconvenient thing I have to involve myself with for eight hours a day, five days a week.

    And as I said, a lot of writers maintain the day gig well into their writing careers. So I’m not alone and my circumstances are not unusual. However, what is possibly rarer is that in the middle of November, my day gig became seriously hard work. It’s a hard job anyway, but last month it turned me into a zombie. Evenings of writing were out as I was braindead by 5pm. Mornings of writing were out as I was too worried about the day gig ahead.

    Result? Writing ceased. Actually a lot of things ceased (updating this blog, for example). It’s not an excuse for not writing, but it is an explanation. I failed NaNoWriMo (not important) and I stopped writing (very important).

    Fortunately, there are several different solutions. One is the fact that I have nearly all of December off. Another is that I’ll be taking more control of the day gig next year. Overall, things are looking much better. I’ll have more time, and importantly, I’ll have more energy.

    So here’s to December and to 2010 and to getting back into Empire State and to forging a career in fiction. Because writing is my job.

  • November21st

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    So much for daily updates during NaNoWriMo.

    This weekend I’m off to the UK’s best comic con, Thought Bubble, held every November in Leeds. Some of my favourite writers and artists will be there, the hotel we’re staying in is right next to the convention centre, and it’s a great chance to take two days off and relax and recuperate and collect sketches and generally have Good Times.

    Because November has hammered me a little, I must say.

    It started off well. Harper Voyager – the science fiction/fantasy imprint of major publisher Harper Collins – named me “Tweeter of the Month”, which meant not only did I get a wee blurb in their monthly e-newsletter, I got a swag of books from them including some George R. R. Martin and Rad Bradbury.

    And then my good friend Mark Nelson (zardoz67) won the Stephen King hidden text competition – and was even interviewed by The Guardian – and, amazingly, I came in second. The prize is a limited, numbered, advance reading copy of King’s new novel Under the Dome, and although that hasn’t arrived yet, they sent me a regular store hardcover in the meantime. I must say I’m completely chuffed to be one of the two runners up, considering more than 5,000 people entered. My hidden text entry is here.

    Rad Bradbury: Empire State is also going well – I’m not writing every day, which is a problem, but the book is currently at 30,207 and on track for completion. The reason for not writing every day, and indeed not updating this blog, is because suddenly the day gig went mental. And not in a good way either, which means it has been a significant drain on not only time but energy, which for a writer who needs to write out of office hours, is really bloody annoying.

    However, here’s the plan. Two days off enjoying Thought Bubble, plus I have Monday off for some writing catch-up. Then just two weeks of the day gig and I’m on holiday for a month, and then after that (fingers-crossed) I’ll be my own boss.

    Roll on 2010. See you Monday!

  • November4th

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    I knew I’d slip.

    Not, I’m pleased to say, on the writing. On the blog. But there is no point worrying about some so trivial as not being able to update it yesterday. That’s life.

    But tonight is a different story. Tonight I had a bath and read some more of Red Claw (which is excellent), then I drank a rather too-strong strawberry milk, and I brought today’s wordcount to 2,008 words. Today was a good day.

    Yesterday was not so good. Writing wise, I hit 1,735 words, but it was hard work after a particularly difficult day. Hence no blog update. But my new axiom (I’ve always wanted to use that word, but never have until now!) is: words must flow. It doesn’t matter how bad the day is. I have to get some words down.

    Rad Bradbury is proceeding according to plan as well. Chapters 1 and 2 are about 2,500 words each, by accident rather than intent. Chapter 3 comes in at 1,500, but I suspect the following chapter will be a long one (currently at 2,008 words and only about half done), so it’ll even out.

    NaNo report, days 2-3 (Tuesday 3rd – Wednesday 4th November 2009)
    Words written Tuesday: 1,735
    Words written Wednesday: 2,008
    Total wordcount: 8,908 (18% of NaNoWriMo, 8.9% of entire novel)
    Words to go: 41,092 (NaNoWriMo), 91,092 (entire novel)
    What I wrote: Rad Bradbury: Empire State, chapter 3, first draft, half of chapter 4, first draft.
    Status: My average daily wordcount is still well above the Nano requirement at 2,227. Okay, okay, enough with the maths! But I need to fit this in around other stuff, and I need a routine, and I need a schedule. So maths it is.

    I’m okay with chapter 3, but it’s more of an interlude, although it’s fairly important. It’s one of those ones that will live or die in the second draft, as it’s quite possible the information could be imparted in a different way somewhere else. But that’s for another time.

    Chapter 4 is going well. It’s the whole private detective, Raymond Chandler thing, and while I’m not attempting to emulate (nor could I, or should I) and can’t get anything like the poetry of his work, I’m having fun playing with sentences and descriptions, and the rhythm of the scene. There is a damsel in distress, and she’s wearing a red dress and a black hat. Rad spends the entire scene in his socks.

    Am I happy with Rad Bradbury: Empire State? Y’know, I think I might be. Early days, early days. Luckily my desk is made of wood and my wrists rest on it as I type, so I can say daring things like that.

  • November2nd

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    Weekdays are going to be hard. Like a lot (most) writers, I have a day gig, and it’s a day gig which tends to take it out of me a bit. So weekdays are when I need to concentrate and channel and focus my enthusiasm for storytelling and get the words on the page.

    And today is no exception, but by splitting my writing session into two chunks – one early morning shift, one late evening shift – I don’t hit the wall too much and I can hit my goals. That’s the plan.

    And today, it worked. Rad Bradbury: Empire State, chapter 2, is done!
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  • November1st

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    NaNoWriMo is here – 50,000 words in thirty days (that’s 1,667 words per day), which for me is only half a novel, but it’s a great excuse for a little pedal to the metal. This is the first time I’ve actually officially signed up for it, so I’m going to attempt a day-by-day blog on progress.

    Day 1 started with a serious bout of procrastination. Now, 1,667 words a day is less than my 2,000 words a day requirement normally, and as I’ve said earlier, on a good day I can get up to 3000 words. But having not written for a month or so, actually sitting down and getting started was going to be tough. And it was. But, as always happens, once I got the first chunk down (about 1000 words) and had a break, I felt marvellous. Later this afternoon I did my second chunk. It felt good.

    I actually wrote all of chapter one of Rad Bradbury: Empire State, and I managed to wrap it up almost exactly on my arbitrary 2,500-word target – 2,510, to be precise! How, exactly, I’m not sure, but I’m not going to think about it too much!

    An important motivator for NaNoWriMo is remembering that you are allowed to suck. The first draft will be rubbish. I don’t know how many times I’ve said it, but here it is again – this is the vomit draft, a regurgitation of the plot before you forget it. That’s not to say you shouldn’t be aiming for perfection – you should! But if the work sucks, that’s okay. You can fix it later. The important thing is to get the words down to meet you daily goal of 1,667 words.
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